Monthly Archives: June 2013

Let The Flag Set Us Free: William Ennis

Let The Flag Set Us Free

As with most Unionists, I found that the removal of the Union flag from Belfast City Hall stung.  The subsequent Nationalist triumphalism has been raw hypocrisy, and given their history of being political calamine lotion the role of the Alliance party in all of this was particularly hurtful. 

But why can’t this be the start of something positive?

Why can’t this be the spark to ignite actual politicisation of the protestant working class?

The deterioration of what began as quite dignified and legitimate protests into violence remains indicative of the now undeniable political void.  The time has come to fill it with a new unionist culture.  One where working class protestant’s lose their fear of voting for a self-serving agenda and gain political leadership likely to come from their own street, or one like it.

Perhaps with a late moustachioed gentleman in mind the people of Erskine Street are not only capable of having representation as effective as that of the people of the Falls Road but they should feel entitled to it!

Such Unionist people have long needed a political leader not a succession of political masters.

Why not choose now to bring political debate back to the dinner table, the school classroom, the church car-park and the community centre?  And it is now clear that it is not enough to merely get together in such venues to express dissatisfaction with ones councillor or MLA.  The time, I believe, has come to bring about his replacement and why not with someone from that very room?

Political leadership, not political mastery!  We can begin now!  Can there ever have been a more appropriate catalyst than the lowering of the flag of the most progressive, multinational, democratized, inclusive Union on earth?

Hope to see you at one of those meetings.

William Ennis, Progressive Unionist

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Strike Up The Band: Black Skull Corps of Fife and Drums.

BLACK SKULL CORPS OF FIFE AND DRUMS

 

In October 1980 a group of young men from Darnley inSouth Glasgow got together with the intentions of forming a flute band.  Of that group only two had any musical expertise and could play an instrument.  The remainder–boys and girls–were total beginners. They chose the name–The Young Protestant Crown Defenders–and, not having any money with which to buy uniforms or instruments they set about fundraising on a grand scale.  Soon. the first of the instruments were bought and practice began–the fluters learning by the old ABC method.  Within a few months they had progressed enough to know enough tunes at an adequate level of musicianship and by May of 1981 were able to fulfill their first engagement with Finlay Drive District, Glasgow.  Two months later the band began their love affair with Northern Ireland by walking for the first time in the 12th July parade with the Sandy Row District.
The fundraising continued for the following years engagements but in September 1981 the decision was made to change the band’s name–after much debate–to Black Skull.  So where did the name come from?  In the summer of 1981 the band had a black skull painted on the bass drum.  By coincidence a band called The Orange and Blue had arrived from Ulster for the Glasgow demonstration.  Both bands got talking and it emerged that the visiting band came from a litlle village called Blackskull in County Down.  It was then decided to change the name and the rest is history.
The forward thinking band members wanted to not only establish themselves as a band but to also set themselves apart from the run of the mill.  To do this they acquired another new uniform and personalised drums but probably more importantly changed their style of music to incorporate more marches on the road to becoming a true melody flute.  This proved more difficult than first imagined and it was a long hard road.  Within the next few years however they had progressed to playing counter melody along with their jigs and reels.  A big turning point in the metamorhisis as far as playing went came when a lad from Londonderry joined the band.  he had a great musical knowledge and he imparted this to those who were most willing to learn.
Another huge turning point in the Black Skull fortunes came around 1994 when the new direction took them to the realms of playing part music for the first time and changing to  Corps of Fife and Drum.  To implement this new style of playing of 1st-2nd and 3rd part of course meant investing in a new range of instrument-F flutes..again at great cost. The move proved beneficial for the band and indeed was the catalyst in changing the mindset of many other bands who followed suit.  The band was moving from strength to strength but nothing was achieved without hard work and dedication.  However there were setbacks along the way.  As stated Black Skull were by now frequent visitors to belfast to take part in the annual 12th Orange demonstration.  In the late 1980’s a fall out with Orange Order members over a petty issue involving band members dressing up in funny costumes led to the receiving a sine die ban from the Orange Order.  A huge change in both fortunes and circumstances came about when an approach was made in 1991 from the Independent Orange Order to the band to accompany Mossley LOL 134 Glengormley during the East Antrim celebrations.  So started a long relationship between band and lodge that remains in place today.
Always looking for an innovative approach the Skull changed their uniform–yet again–from the preferred Guards style to that more akin to the United States Marine Corps.  This happened in 2004 but only lasted for a couple of years before they reverted back to the Guards style we have all come to recognise and love.  There have many other milestones along the illustrious road.  Taking part in the Maiden City Festival Concert must rank very highly in the list of Black Skull achievments.  Thet were invited to play compositions made famous by William Love–an icon in Londonderry music circles and composer extrodinaire.  William was a member of one of this countires finest bands–past or present–Churchill Flute.  A CD was subsequently made incorporating the Black Skull recordings of William Love’s music–The Prince of the Realm.
The Black Skull list of achievments is truly staggering…
Act of Union Concert 2007
Concert at Drogheda on the banks of the Boyne 2008
Photographic Exhibition in the Bloomberg Art Gallery 2008
An exhibition in the Glasgow Gallery of Modern Art by Rodney Buchanan the famous visual artist entitled Here I Am.   This focused on the challenging views of culture, heritage and perceived sectarianism.
There really is very little else for the band to achieve.  In their short history they have fulfilled a lifetime of ambitions and have taken bandsmanship and musical ability to new levels.  The biggest compliment we can pay them is to point to the fact that they are one of the bands that most others in their particular field aspire to.  They are much imitated but rarely equalled and never surpassed.
Here’s to the next 33 years!!

 

 

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Draw A Line Now: Professor Pete Shirlow

Draw a Line Now

Is it not strange that those who did not attend Sinn Fein’s conference entitled Belfast: A City of Equals in an Island of Equals at the Europa Hotel, have been able to label the event in so many ways? Those non-republicans who participated have been described as those having taken part in a ‘love in’ and of having being duped by Sinn Fein’s hypnotic abilities. As if Gerry Adam’s sat at the back slowly swinging his grandfather’s pocket watch and gently stating ‘look into my eyes!’ If anything the majority of those who spoke shared a common concern that Sinn Fein needed to adopt better listening skills and appreciate that there is more than their truth, history and victims. The event if anything provided for what were necessary but robust conversations. The brilliance of those conversations was not that they happened or that they were forceful but that they were mannerly. The possibility being provided to tell Sinn Fein how others see their approach and ideas as wrong or requiring much greater reflection.

One respondent reminded Sinn Fein that the Union Flag drapes the coffins of loved ones returning for war in Iraq and Afghanistan and wondered if they really understood the significance of that when voting for its removal from City Hall. Others embraced the idea of Unionist alienation not in itself a flaw in the Unionist character but in the action and discourse of republicanism. I presented quotes from people who questioned Sinn Fein’s motives, language and behaviour. If this was a ‘love in’ I would not have liked to have seen the fight.

One of the more forceful comments was made by Matt Baggott who explained that “At the moment we are spending huge resources because we are required by law to relentlessly go back into the 70s, 80s and 90s whether that is through inquests or inquiries.” One could sense the frustration of trying to roll out civilian policing but being made to constantly go back to Pol Pot’s Year Zero. His contribution in itself gets to the nub of the question about the past. When oh when does it stop?
We have a dangerous system at present regarding the past which is based upon the flawed architecture of rearward actions. To put it simply republicans and nationalists have been able to put the state in the dock as it were due to legal obligations placed upon the state. HET may prosecute the odd former paramilitary, but that is not the same infrastructure to examine non-state ‘corporate’ responsibilities. This imbalance is infuriating to some Unionists who see delving into the past as one sided and wonder why Sinn Fein wants state personnel up before the courts and not others. I assume the DUP and UUP want the same outcome but the other way round. Either position is untenable, and merely repeats what conflict does which is to create the moral good and the moral bad. Corporate responsibility is nonsense if it only runs through demanding that the other opens its murky books. It is an act in reiterating societal divisions without any safety net when the ‘other’ side bites back.
The whole process is not only problematic because it is read as uneven but in that it simply indulges selective views of the past.  As Matt Baggott has indicated we are spending scarce resources in confirming what people already believed. What this mess actually does is make sharing the ‘narrow ground’ difficult as we daily underline the nature of the Groundhog Day in which we are compelled to live. A place in which we will never make history and hope rhyme as the former is over invested in while the latter in under-invested upon. I understand that we must consider the feelings of victims but what Professor John Brewer’s work at Queen’s University has shown is that victims are the people who most want to move into a future and not be dragged down by criminalising the past.
If we are going to move on we have to either have a proper truth process or draw a line under the past. At present approach will not make scales fall from eyes as the conflict was experienced in different ways. If anything it keeps them in place. At present in what was does dealing with the past present a future. We seriously need a political leadership that either draws a line or goes for a mechanism of truth recovery. If our political elite were to acknowledge that our present process is merely opening old wounds and drawing inspiration away from forward movement then we would be going somewhere. The old cliché that the past drags the future down is replete with accuracy.  The muddle we now have is just painful and I think re-traumatising.  I would personally opt for line drawing and do more for victims and their personal needs. Courts and inquires do not determine the complete truth nor reconcile victims. So why use them? Could we not go for conversation and exchange between those who survived? Cheaper than investigation with the added benefit of being more likely to affect reconciliation. Maybe start with the observation that all tears are the same. The people are capable of that whereas inquires and courts are not.
On a final point, we were reminded on Friday of David Ervine’s contention that ‘republicanism is not contagious’. I was the same person when I walked into the Europa on Friday and the same one who walked out. The only difference was I had my say.

Pete Shirlow

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What Shared Future?

WHAT SHARED FUTURE?

“This society believed that it was looking towards a new future, and we consistently find ourselves being dragged backwards” words from the late David Ervine.

On the 13th October 1994 Loyalists from the CLMC ( Combined Loyalist Military Command ) issued a statement from Fernhill House West Belfast declaring  all operational hostilities as from 12 midnight on Thursday 13th October 1994 would cease . I had the privilege to be at that press conference as a realitive of mine was a senior PUP/UVF member and the words conveyed to the general public and the Republican movement through Gusty Spence were genuine and sincere. I can remember a certain sentence that will forever be held dear to my heart, it is a sentence that symbolizes the true spirit in which Loyalism went into the peace process, putting victims first . That sentence? “In all sincerity, we offer to the loved ones of all innocent victims over the past twenty years, abject and true remorse.” Putting victims first seems to be an agenda SF have let pass by, unless it’s a victim of state violence or Loyalist gunmen. They’ve went from ceasefire to government very quickly and should know fine well that in doing so in such a short time that they would cause anger , resentment and unimagined grievance to their thousands of victims and their families. They’ve swept the issue of their murderous past under the carpet very quickly and have now tried to portray themselves as the victims! We’ve had to endure the rise of SF, we’ve taken it very well and respected it, we want to live in a democratic society and because SF have a mandate we’ve no other choice but to respect the voting choice of Nationalists, however, that doesn’t mean we should roll over and let them off the hook unchallenged, nor does it mean we should not be challenging them daily regarding their statements and policies as to why we’re on a fast-track to a United Ireland! Sinn Fein talk about shared futures, but with who? Not with Unionists by their  actions, those actions may I suggest are not recent either, is it a coincidence that SF have used a tactic from the past by creating a flash point out of nothing regarding St Patricks Church in Donegall Street ? By doing so they have opened a new angle from which to attack loyal orders, Ardoyne has now been taken over by dissidents and the annual 12th day stand off has been hijacked by groups like RNU, 32CSM and dissident terrorists. We’ve seen concession after concession handed out to SF, unchallenged by a weak DUP who are led by a man with his own agenda and ego. SF have been coming at us from all angles with their cultural war these last 2 or 3 years, is this a ploy given they know they’ve no chance of securing a United Ireland which they sold and promised to deliver inside of 20 years from their original ceasefire and to keep battle hardened republicans onside ? Take the Union Jack issue regarding City Hall , does anyone think that happened overnight or planned by SF strategists a very long time ago ? We’ve also had the “Belfast-A city of equals” slogan adopted by SF, further proof that SF are playing a game of “we’re the oppressed” to anyone who’ll listen. In the closing paragraph of the CLMC ceasefire statement they set out their vision for the future “Let us firmly resolve to respect our differing views of freedom, culture and aspiration and never again permit our political circumstances to degenerate into bloody warfare. We are on the threshold of a new and exciting beginning with our battles in future being political battles, fought on the side of honest, decency and democracy against the negativity of mistrust, misunderstanding and malevolence, so that, together, we can bring forth a wholesome society in which our children, and their children, will know the meaning of true peace.” It states quite clearly that we must resolve our differing views on freedom, culture and aspiration, yet SF are trying endlessly to strip away our culture, they’re aspiration for a United Ireland grows stronger through the media, even though it will never happen, furthermore the statement says about political battles being fought on the side of honesty, decency etc, how can we have a shared future with those we have to share with when they are filled with mistrust, they oppose anything from a Unionist perspective and the DUP play there part in facilitating the endless concessions that seem to go their way !!! If they keep up this attack on the Unionist/loyalist people how long will it be before enough is enough ?

 

The Mad Monk

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Strike Up The Band:Albertbridge Accordion

This is the first article in the planned series looking at many of the well known bands from Northern Ireland and further afield.  Here we begin with a look at one of the Premier bands in Ulster–not just in the realm of accordion I may add.  Albertbridge have a history that dates back to the late 1950’s and have led from the front on many seperate occasions–colour party–foreign parades.  Many thanks are due to the late Robert “Bobby” Duncan who related much of this history from far away Canada before his untimely death almost a decade ago.  Robert was, of course a member of the band who blazed a trail for Ulster Bands by taking part in the Toronto 12th July Parade in 1968.

ALBERTBRIDGE ACCORDION BAND
EAST BELFAST

Albertbridge Congregational Church was actually situated in the Short Strand–at the corner of Thompson Street.  The church hall was located in George’s Street which ran from the lower end of the Woodstock Road to Ravenhill Road.  Attached to the church like many others at the time their was a local BB Company–the 56th.  There were many local lads who became part of the 56th and served with distinction under Captain Bertie Boal.  Upon leaving the BB at 18 some of those friends decided to form a band and the first meeting was arranged for Friday 9th August 1957, in the church hall.  Seven members turned up for that meeting and are listed as W. Cummings. F. Stewart. R. Ewing. B.McCartney. J. Arbothnot.  N. Gibson and J. Gibson.  Billy Cummings is, believe it or not still an active parading member with the band!!
A-BridgeSome of the names mentioned for the band were Woodstock Defenders–Sons of Ulster and the 56th Old Boys but eventually they settled on the name Albertbridge Accordion.  Next steps were to pay weekly dues–look at ways to raise funds and practice weekly with some second hand instruments.  The first practice sessions were held in a hall which was owned by Wolff Star on the Newtownards Road and they soon obtained a  “uniform”.  Grey trousers–white shirts–red tie and a variety of peaked caps.  Easter Tuesday 1958 is a day of significance in the Bridge’s history.  It marked their first official outing, alongside Christian Crusaders Junior LOL 27 to Bangor.  Quite quickly their prowess and reputation grew as did the number of outings.  They moved from Wolff Street to Clermont Lane on the Woodstock Road and practiced in a tiny room owned by The Duke of York public house. Practice nights were shared with the Duke of York Pipe Band who used the room above!!  As far as parading went it became traditional for the band to assemble and leave from Swift Street where Billy Cummings family home was.  Across the tiny street from Billy’s house was Tilly Martin’s sweet shop–The Mayfair–and this was where the band set off from through the early sixties.  From Tilly’s to Templemore Avenue–the starting point of most parades–was a very short distance and was the usual route.  This departure point remained until 1971 when the band moved to a new practice location in the Union Rooms on the My Lady’s Road.  Eventually the band raised the funds to buy the building some years later and it remains their base forty odd years on.
Albertbridge were extremely lucky in that throughout their illustrious history they have retained members who were totally dedicated and had the band–and the culture it stood for–at heart.  Stalwarts from those days worth mentioning were Big Scotty–Bobby Dowds–Brian Nelson–The Long brothers–Geordie Coulter–Alex Gordon–The Dane brothers–Bobby Duncan, Jimmy Nicholl and a long host of others.  During this time there was great camaraderie within the band and one of the more colourful characters was the much missed John Halliday–the original Doc.  Who will forget the Doc on the many occasions acting Drum Major–always sure of a laugh there!!–a departure from his usual role of “Playing the Flag”.  In the mid sixties the uniform was slowly changing to trousers with an added stripe and pullovers plus caps that were all the same!!  In 1968 the Bridge made history by becoming the first band from these shores to march in the Toronto parade.  In the months leading up to it they went into overdrive as far as gathering funds went because not only did they pay their own way to Canada but purchased a new uniform at the same time.  This was the first uniform proper and was a signal that after eleven years of blood, sweat and tears the band had arrived.  At the same time they were establishing themselves as a very talented outfit with a wide repertoire of songs.
Being an accordion band meant that they were hard to put a label on–certainly not “kick the pope”–the forerunners to todays “blood and thunder ” bands.  They could just as easily play complicated marches as well as the traditional Orange tunes.  This was illustrated on their first LP which was released around this time..To The Field and Back.  One of the abiding memories I have of the band after the Canadian trip was them including the Maple Leaf Flag in their innovative colour party–aptly named The Flying Squad.  That was a big talking point.
Upwards and onwards could have been Albertbridge’s motto in those days because they certainly went from strength to strength.  But nothing was achieved by resting on their laurels and the continuing hard work of the core members paid dividends.  There are still a considerable group of members with over 25 years service–others who have over 30 years service–and then Bap himself–who is still the treasurer!!  An important addition from the not too distant past has been that of female members–something that would have been unheard of in the heady days of the 50’s or 60’s.  The colour party has since been disbanded and “The God Squad” formed.  The band always had a number of practicing Christians within the ranks and in 1992 the idea was hatched that a sub-band be formed to play only Gospel type music.  Scotty, Victor Dane, Sam Ritchie and Robert Foster were amongst the first exponents and they made their debut in Cregagh Congregational church not long after.
In recent years Albertbridge have cemented their place in the folklore of accordion bands.  Their name is synonymous with good music–they continue to play music the way it should be played–their reputation is second to none and they are welcome wherever they go.  As a young boy in the early sixties,  involved in flute bands it was always refreshing to hear bands from a different genre.  Then, there were many silver and pipe bands to brighten every parade.  It is with pride I fondly recall hearing the strains of Blackman’s Dream–or a reel like Marie’s Wedding as the Bridge approached.  What memories!!

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David Ervine Response To MLK Site:2003

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Let The Cultural War Begin: Taking Sinn Fein On At Their Own Game

I agree with a lot of points Connal Parr has made , especially regarding the aspect that SF know a united Ireland is as far away as us uniting with China !!  I suspect by the end of the 1980′s SF/IRA knew that they couldn’t budge the British , militarily speaking , furthermore the jailing of many IRA men didn’t help their cause either : many from the next generation refused to follow thousands to go to jail from W/C Catholic areas and the volume of attacks carried out by the IRA became less frequent .  They tried to cover it up by saying words like spectacular etc: , the truth was though , they lacked the manpower they previously used to have by the bucket load !! Furthermore , Loyalism and especially the UVF played a major part in creating uneasy tensions for the IRA within their own communities by attacking that community in retaliation for attacks on our Crown forces and our way of life in general .  Yes they did change tactics , but only after their surrender/ceasefire was declared and dissent started to rise throughout the ranks of the PIRA.  Hardliners wasted no time in showing their disdain towards the Adams inspired ceasefire (Canary Wharf and Manchester vouch for that) .
Once they saw an opportunity to engage in violence they used that , as seen with the shootings of Dougan and another Loyalist in Dunmurry and the DAAD operations . It is evident that Adams and his supporters won the battle for hearts and minds and peace swept through the Republican movement eventually , culminating with a well fought victory over the SDLP at the election polls with McGuinness put in place for Deputy First minister of a country he viewed as the enemy not that very long before.  Changing to the cultural strategy it is without doubt something SF have been working on since around the ceasefires , the policies and agendas they took interest in didn’t happen overnight : parading for example were residents groups to oppose parading are headed up by hardline IRA men or redundant IRA men –whatever way you want to look at it . This alone set the trend for the years ahead , lets challenge Unionism/Loyalism at the very heart , and so they did !
I can list many things they’ve attacked from the RUC , Army , right down to the flying of the Union Jack over our capital city , all of which was done to massage their inferiority complex as they talk about being equals etc: but will try and strip away anything with a Crown or indeed anything that represents unionism.  They talk about  the symbols inside the City Hall being all Unionist and what’s the problem with the removal of Union Jack ?–Yet the Union Jack symbolizes the national identity to anyone visiting our great city . Tourists must wonder where they are when they see no flag flying , are they in the UK or not ?  The answer is— absolutely !!  SF think and try and bluff voters with false promises —Belfast is green etc: , yet they forget 75% of East Belfast is in Castlereagh Borough Council and that when it comes to Westminster , Unionism outvotes Nationalism by around 10% of the electorate in Belfast alone.  These facts are all hidden from any Sinn Fein election pamphlet .  I expect to see many more challenges to the Crown , to Unionism/Loyalism and our right to remain part of the UK in the next decade , but it will all be fruitless given SF know very well that they’ve misled their voters and the IRA men they promised a united Ireland to almost 20 years ago .  The 20th anniversary of the IRA ceasefire is approaching yet there is still no sign of a united Ireland , not by a long shot ( excuse the pun ) .  We must challenge their strategists and create the same environment for SF as they have for us —the cultural war is upon us  and it is time we stepped up to the mantle and took the bull by the horns before the DUP cave in entirely to SF and give away concession after concession . As for the IRA trying to paint their cause as just and only their cause , we’ve far too many atrocities carried out against our community to let that happen . It is time for loyalism and Unionism to wake up and fight back .  I suggest starting the fight with the Maze shrine —that would be an almighty spanner to throw into their works —lets cut their culture off at the head before it has even developed !!!

 

The Mad Monk

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Sinn Feins Cultural War on Unionists Will Only Intensify: Connal Parr

The Good Friday Agreement diminished the violence but not the conflict.
The leadership of the Republican movement realized – though it will never be admitted – that they were unable to achieve their objectives militarily and gradually surrendered.

But very quickly culture itself was seen as a new sphere to continue the struggle, promoting nationalist views while traducing those of their opponents. In the writing of history too, through the changing justification for deadly action and whitewash of past atrocities, the war shifted from bombs and bullets to literature and books.

Recent gestures – of removing cherished symbols and naming children’s playgrounds after murderous hunger strikers – are only the beginning. Unionists must brace themselves for further provocation, of primary schools named after Provisional IRA bombers and whole streets called after the victims of one community alone. One of the reasons Republicans are resorting to such a campaign is, with the union secure, it is quite simply all they can do.

It was always naïve for Unionists to think their culture would be respected post 1998 –whatever inconsistent rhetoric Gerry Adams feeds the conference faithful – and they should not be surprised that Sinn Féin wants to demean their sensibilities. They’ve been doing it for just over a century now. Yet there is a viciousness in today’s cultural taunting which is calculated to inflict maximum offence.

In perhaps the hardest dilemma for Unionism, Irish nationalists are lawfully entitled to fight such a battle. It is infinitely preferable to the killing and sectarian bloodshed definitive of their yesteryear. Therefore Unionists must find another outlet for their fury outside of aggressive street protest; a way of engaging in cultural resistance themselves.

This is intrinsically related to depicting their stories and narratives. Long ago Republicans understood that the arts offer an ideal stage to present their case. It does not make for good art because you know the way each poem, play or film is going to end: with the dream of Irish unity as the only way forward. But in perhaps their most spectacular propaganda victory, Republicans convinced not just their base but a great number of Protestants themselves that the arts represent a distinctly nationalist forum and are not for them.

On the political front it is essential – as some have already recognized – to get people registered to vote, elected, and back into influence at Council and Assembly level. Culturally it entails advancing a programme and vision through books and the arts. The recent exhibition of prisoner painting in the Crumlin Road Gaol highlights how Loyalists are movingly capable of creative effervescence. Another channel is the theatre group Etcetera, which aims to stage plays directly highlighting the Protestant working-class experience.

This dynamic need not be the preserve of one group. Something which reaches back to the essence of Protestantism itself is the force of the individual conscience – inspired dissent – which contrasts with the uniform identity cloak of Irish nationalism.

This is, in the end, as vital as Unionism’s collective resistance in the North’s ongoing cultural warfare.

Connal Parr is completing a PhD at Queen’s University Belfast on Protestant working-class politics and culture, and serves on the board of the Etcetera theatre company.

This article first appeared online at www.newsletter.co.uk on Wednesday 12th June 2013.

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Justice Again? by Gaudeamus Igitur

Justice Again?

Alan Erwin run an article in the Belfast telegraph on 7.6.13 about Bobby Rodgers and his failure to be granted a pardon for the killing of Eileen Doherty.  This whole issue of dealing with the  past  continues to loom large in our society today. This case raises important issues. However even before the article begins I note the headline  which starts, “He shot this 19 year old girl..”   Actual coverage of Bobby’s trial and even the article (see paragraph 6) says that he did not shoot the girl but the court found that he was there. How can the headline say HE shot the girl when even a judge says he did not?  It reminds me a bit about the Nazi propagandist, Josef Goebbels and I paraphrase;  ‘if you are going to tell a lie, tell a big one’. It is a sad forerunner to the rest of article.

Mr Erwin says that it was a murder that shocked the community. No less shocking that the murder of James Larkin and Ivor Vennard. No more shocking than the previous 10 women killed in the Troubles prior to this. No less shocking than the all the children killed by the IRA, the loyalists and security forces up to this date. Any more shocking than the people left lifeless and mangled on the 21 st July 1972? If there is one thing about the article it is the complete and utter lack of context about those dark days.

I have said it before  but it is a shame and painful loss for all the lost lives in the troubles. The unseen damage and the unmeasured hurt.  The British system of justice has its balance of prosecution and defence so it was with interest and surprise that I read about the prosecuting Q.C. saying that it was his submission that Bobby not serving time for the killing was “unconscionable”. I am going to assume that this term is used in its legal sense which means that;

When a court uses the word unconscionable to describe

conduct,  it means that the conduct does not conform to

the dictates of conscience. In addition, when something

is judged unconscionable, a court will refuse to allow the

perpetrator of the conduct to benefit.

 

And also;

The doctrine is applied only where it would be an

                           affront to the integrity of the judicial system..”

 

Seems fair enough but not so secure when one looks at various other aspects of the wider legal system. Is it unconscionable to consider a state agent being present when a man and woman are about to be shot in the head for alleged touting? It is unconscionable when a system gears up to put innocent people in jail of the best years of their lives? The Birmingham 6? How did the judicial system feel when after the Good Friday agreement men were released from prison, well before their release dates because it was part of the deal? What about the horse dealing behind closed doors that operates?

I accept Justice Treacys line that there is no amnesty. That’s a political reality, despite there being precedent in this country after previous terrorist campaigns. But what’s hard to live with is, people like Bobby, both loyalist and republican, that have served their time and made constructive and positive use of their lives after their release, will still be put in prison despite the political reality. I have of course not mentioned those involved in terrorist acts that are now politically untouchable i.e the 2 Gerrys. No matter what they have done there will be a political veto on their arrest or conviction.  I can hear the denials already.

What I want and what I have said already is a clear line in the sand. Anybody, including security forces, who were involved in the Troubles before the Good Friday agreement should not be prosecuted now. But if we are to deal with those acts then let us deal with them all. And just on that topic could we look at those people who helped create the conditions and environment for the mess that the young people of this country walked into? Bobby, myself, fellow prisoners did not benefit, earn big money or have a happy time through all the years of violence and then years of imprisonment.  Does anybody want to address this?

I understand that the British government are walking a tightrope. They are managing a political reality, balancing, quite properly, the rights and feelings of victims with the need to nurse ‘peace’ along.

Bobby will be welcomed home (again) by his family, friends and local community. Not because of what happened in 1973/74. He will be welcomed home because of the person he is today. The fact that he advocated non-violence with young loyalists who would be out on the streets creating mayhem. The fact that he was presenting a better way of resolving differences by talking and not using violence. The fact that he was using his experience to  teach young loyalists not to walk the way many of us did in horrible times.

I will finish with a Bob Dylan lyric that Bobby would recognise;

 

Couldn’t help but make me feel ashamed to live in a land

Where justice is a game.

Now all the criminals in their coats and their ties

Are free to drink martinis and watch the sun rise.

 

P.S. James Larkin was shot dead 5 days before Eileen Doherty was killed. Mr Larkin was 34 and a father of 2.  Ivor Vennard was shot dead 3 days after Eileen Doherty. He was 33 married with 2 children.  263 people would die in 1973 due to the Troubles.

Gaudeamus Igitur

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Bringing Our History Alive: SASH Group

Where can you find millionaire business men, with the poor and desolate, war heroes and traitors, Loyal Orangemen and a Nationalist MP all together? 

Answer – SHANKILL GRAVEYARD

 

Date for your diary

MONDAY 24th JUNE-10.30am-1.00pm at SHANKILL GRAVEYARD

 

“Bringing Our History Alive” is a Shankill Area Social History (SASH) event for all ages that will bring the fascinating history of the Shankill Graveyard and the people buried there to the local community. Through music, art, guided tours, historical talks, archive photographic exhibition, and characters in period dress, your history will be brought alive for the day.

 

The proceedings will involve the unveiling of a striking ceramic art piece which SASH have been working on with artist Daniela Balmaverde highlighting the Graveyard’s history.  The unveiling will be by renowned local poet and historian Albert Haslett who may even treat us to a wee reading of one of his many poems about the Graveyard or the history of the Shankill.  Music will be provided by local musician and song writer Jackie McArthur who has written many songs about the social history of the Shankill.  Informative and engaging tours of the graveyard will be provided by local historian Bobby Foster and you may even bump into a few Victorian gentry, soldiers or mill workers while on the tour.  The event will conclude with talks on significant characters from the area and a photographic exhibition in the neighbouring St Mathews Parochial hall.  Throughout the event there will be food and refreshments and best of all everything is free and everyone is welcome.

 

Shankill Area Social History (SASH) is a voluntary based historical group who aim is to promote the history & culture of the Shankill. The group meet every Monday morning 10.30am in the Spectrum Centre 133 Shankill Road and is open to all who have an interest in the Shankill.  SASH group activities involve regular guest speaker on historical themes, visits to historical sites, and a range of projects such as community archive, art projects and social media to promote the history & culture of the Shankill and its people.

To contact SASH group about this particular event or if you are interested in becoming involved please use the following contacts

Rev Jack Lamb (Chairperson) mob: 07720293941

Billy Drummond Tel: 028 90311420

Twitter: twitter.com/shankillhistory

Email: sashgroup@hotmail.co.uk

Website: www.shankillhistory.com

Facebook: Shankill Area Social History

 

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